Salmonella Dub

   
Artist: Salmonella Dub

   Genre(s): 
Reggae
   Drum & Bass
   Dance
   Pop
   

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Discography:


   
 Remixes and Radio Cuts

   Year: 2006   
Tracks: 7


   
 Timeless (TYME028)

   Year: 2004   
Tracks: 2


   
 Outside the Dubplate

   Year: 2004   
Tracks: 10


   
 Nu Steppa

   Year: 2004   
Tracks: 2


   
 One Drop East

   Year: 2003   
Tracks: 10


   
 Inside the Dub Plates

   Year: 2001   
Tracks: 10


   
 Killervision

   Year: 2000   
Tracks: 10

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Salmonella Dub got their nominate from the "bad-taste" dub versions of pop songs they used to split up the ice in their other sets. In '90s New Zealand, dub/roots/reggae freak-outs weren't alone in trend -- grime and dance music held shake -- so Salmonella Dub would habit lighthearted covers of Nancy Sinatra and Dr. Hook & the Medicine Show tunes or Fred Dagg's gaud song "Larry Loves Barry" to bring home the bacon over questioning audiences.


In the early '90s, New Zealand's pot liquor licensing pentateuch changed, allowing pubs and clubs to appease open previous and reviving the country's hot music scene. The members of the band then called Golf Course Alligators seized this opportunity and, in late 1992, Andrew Penman (guitar), Mark Tyler (bass), and Dave Deakin (drums) became Salmonella Dub. In the early years they lacked money for proper equipment and used imaginative solutions such as creating a sampler by hooking up a cassette musician to a switch treadle from Penman's guitar so they could make live samples. Usually these samples would fall from whatever was on the TV at the fourth dimension, whether it was the news or a Cheech & Chong pic. Lacking the cash in hand for cassettes, they raided the bins of a record entrepot and establish cast-off copies of Teenage Mutant Ninja Turtles albums that served as their early mag tape stock.


To set up for their first base, self-titled album in 1994, Peter Woods (trumpet, keyboard) and Conan Wilcox (sax, percussion) were invited to bring together the dance orchestra. Salmonella Dub was released through the main mark Curious Records.


Soon later, Woods left the band, moving to Auckland and acquiring a job to pay his educatee overdraft. Tiki Taane (acoustic guitar, pleximetry) joined in his stead and in 1997 they released Calming the Drunken Monkey, sign language with Virgin for distribution and start overseas tours.


In 1998 they released "For the Love of It," a individual that plant a surprising degree of mainstream succeeder and south Korean won them their first base place in the Top Ten of the local charts. The album Killer Vision followed it and was likewise popular, achieving double atomic number 78 sales and being released in five-spot countries. Suddenly they were local heroes, just based on an album with which they were personally unhappy and which they disliked having to play on the intensive touring that followed it.


For their 2001 album Inside the Dub Plates, they brought back David Wernham, world Health Organization had been applied scientist on their initial releases earlier departure to work with rock band Shihad, hoping to re-create their earlier sound. The album also went double atomic number 78 in sales. A remix album called Outside the Dubplates followed, including a remix by one of their heroes, Mad Professor, world Health Organization had also done a blend of "For the Love of It."


Lining an out of the blue sizable tax bill in 2003, the band returned to the studio to rapidly record their fifth album, One Drop East, to pay it off. Woods was brought back as a session musician and another Mad Professor remix was planned, just in the rush to release, it had to be left off and secondhand rather on their following release, 2004's Mercy. Mercifulness consisted of songs from the One and only Drop East recording roger Sessions, mixed at a more leisurely tread.


Taane left to disc a solo album and Woods was brought back as a full-time bandmember for recording roger Huntington Sessions at a studio on Penman's stray rural prop. The final result was their seventh record album, 2007's Heal Me.





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