Tuesday, 8 July 2008

Les Baxter

Les Baxter   
Artist: Les Baxter

   Genre(s): 
Easy Listening
   Other
   Vocal
   Soundtrack
   Pop
   



Discography:


Brazil Now   
 Brazil Now

   Year: 2006   
Tracks: 12


The Exotic Moods of Les Baxter CD2   
 The Exotic Moods of Les Baxter CD2

   Year: 1996   
Tracks: 20


The Exotic Moods of Les Baxter CD1   
 The Exotic Moods of Les Baxter CD1

   Year: 1996   
Tracks: 20


Que Mango!   
 Que Mango!

   Year: 1996   
Tracks: 12


Bugaloo In Brazil   
 Bugaloo In Brazil

   Year: 1970   
Tracks: 12


Hell's Belles   
 Hell's Belles

   Year: 1968   
Tracks: 12


Alakazam The Great   
 Alakazam The Great

   Year: 1961   
Tracks: 11


Space Escapade   
 Space Escapade

   Year: 1958   
Tracks: 12


Moog Rock   
 Moog Rock

   Year:    
Tracks: 10


Jewels of the Sea   
 Jewels of the Sea

   Year:    
Tracks: 12




Les Baxter is a pianist world Health Organization composed and arranged for the top swing bands of the '40s and '50s, only he is wagerer known as the founder of exotica, a variation of easy listening that canonised the sounds and styles of Polynesia, Africa, and South America, even as it retained the traditional string-and-horn arrangements of instrumental pop. Exotica became a massively democratic movement in the '50s, with thousands of record buyers hearing to Baxter, Martin Denny, and their imitators. Baxter as well pioneered the use of the electronic legal document the theremin, which has a haunting, howl levelheaded.


Baxter studied piano at the Detroit Conservatory and Pepperdine College in Los Angeles. After he completed school, he deserted the piano and became a vocaliser. When he was 23, he coupled Mel Tormé's Mel-Tones. The group american ginseng on Artie Shaw records, including the hit "What Is This Thing Called Love."


In 1950, he became an arranger and conductor for Capitol Records, working on hits by Nat King Cole, including "Mona Lisa." Around the same time, Baxter began recording his own albums. In 1948, he released a triple-78 album called Music out of the Moon, which ushered in space age pop with its use of goods and services of the theremin. Four long time subsequently, he began recording exotica albums with Le Sacre du Sauvage.


On his early-'50s singles Baxter was relatively aboveboard, playacting versions of standards like the number one hits "Unshackled Melody" and "The Poor People of Paris," but on his albums he experimented with all sorts of world musics, adapting them for his orchestra. As he was recording his exotica albums, Baxter was as well the musical film director for the radiocommunication show Halls of Ivy, summation Abbott & Costello radio receiver shows; he also composed over one C pic lots, concentrating on horror movies and adolescent musicals and comedies, though he as well did dramas wish Heavyweight.


Baxter's flower was in the '50s and '60s. Although he continued to compose and record in the '70s, his output signal was sporadic. Nevertheless, a cult following formed about his exotica recordings that persisted into the '90s.





Pete Johnson